====================================================================== Title: Nana Date: 2025-04-12 Link: https://spool-five.com/poetry/2025_apr12_nana/ Word Count: 376 ====================================================================== > And after all those shenanigans we, we bring you a very serious (or > is it?) optional prompt. Today, we’d like to challenge you to write a > poem inspired by Wallace Stevens’ poem, “Peter Quince at the Clavier.” > It’s a complex poem that not only heavily features the idea of music, > but is structured like a symphony. Its four sections, like symphonic > movements, play with and expand on an overall theme, using the story of > Susannah and the Elders as a backdrop. > Try writing a poem that makes reference to one or more myths, legends, > or other well-known stories, that features wordplay (including rhyme), > mixes formal and informal language, and contains multiple sections that > play with a theme. Try also to incorporate at least one abstract concept > – for example, desire or sorrow or pride or whimsy. I Another cigarette Another pang of regret Another whimsical smile For leering eyes II Angelic glow of movie theatre Where two faces meet One in resolute glory And one in resolute sadness Sadness at the loss of opportunity To be a heroine like her After all, who can become so iconic In a Paris like this? III A philosopher in a cafe Wonders about The Three Musketeers The idiotic one And about whether some things persist Though settings and people and ideas may change so drastically Is there something that can nevertheless be conveyed When we reach into the past Come face to face with another like us But so different in so many ways Did Joan, too, look back at faded icons Mary, Esther and, yes, Susanna, And wonder if her life was meaningless in their shadow? Only Falconetti knew how to communicate resolutely through time. That was the power of the actress IV Was it Nana or Anna, Through concave lens And out-of-sync sound track, Who was pushed out of her own time? Into eternity Like Joan, and Falconetti, and Mary And, yes, Susanna Whether it be Jerusalem, or at the stake, Or in a walled garden, bathing, Or abandoned like an animal On cold Paris street All are forgotten in their time Relegated to eternity And haunting the walls Of local bookstores Or in a dark, glowing movie theatre Where another cries, watching